These are 5 of my favourite 2007 releases:
Blu & Exile - Below The Heavens
Exciting new artist for sho. In an era where it's extremely difficult for me to accept new blood these dudes seem to impress me, a lot. Exile is a dope producer. Really. There's been a lot of producers trying the nu-soul or soul-hop or whatever-you-call-it sound but not many have impressed me. But Exile managed to capture the early and Slum Village-era J Dilla spirit. Applying infectious basslines and clever cutting of samples. And with Blu rhymin' on his shit, it's hard to go wrong. While this duo is from the west coast, Blu might have more east coast emcees on his influences list flow-wise, even accent-wise at times. In this album most of his lyrics are very personal but won't alienate the listener, instead we might find ourselves relating our own experiences to most of his endeavours.
Public Enemy - How You Sell Soul To A Soulless People Who Sold Their Soul
Yeh. Trust the old hip hop warriors to show us how to do things. This album is super banging. Chuck D is still as powerful as ever with his delivery, and Flava Flav hasn't aged. Their production team might've disintegrated at one point and are not the same old Bomb Squad, but there's still a lot of boom in them. While the old school hip hop fans will definitely appreciate this, I'm pretty sure it will get them new fans as well. After all, I haven't been the most fanatic Public Enemy fan, but somehow this record has sealed my faith. Only bummer is it is highly underrated especially since PE is independent and the last few recent releases weren't as enticing as this one.
Ghostface Killah - Big Doe Rehab
This is Primo's pick for best album of 2007. Not so hard to understand why, Tony Starks continued his trademark of rapidfire spittage on banging beats. It might be more compact compared to the intricate Fishscale but it's still good. There were mixed reviews though, some compared it to Pretty Toney, assuming most people didn't like it, but I did like that one. Honestly there might be a few throwaway tracks but most of the tracks were just a simple combination of good beats and good emcees. I'm impressed by the fact that while a lot of golden age emcees lost their dynamic styles (cough*Raekwon*cough), Ghostface seems to add more passion and fire to his.
DJ Deckstream - Soundtracks
Trust the Japs to keep good and forgotten American pop cultures alive. The nu-jazz & nu-soul sound in hip hop has been quite a trend over there. Deckstream makes it evident that it won't be just a fad. One word to describe his samples - sweet, one word to describe his method of sampling - very sweet. While his beats might be really catchy he retains the booming sound of the hip hop beat so as to make it very hard hitting and lively. No need to question his choice of guest emcees - Lupe Fiasco, Talib Kweli, Camp Lo, Pep Love, Zion I.. need I continue?
Cam'ron - Public Enemy #1 (mixtape)
Okay. This is highly personal. Hehe. While there's a lot of rubbish tracks mostly because of the plastic beats, there are a few gems. And these gems prove that while Cam'ron has been guilty of falling into the pop-rap stigma, he is still essentially a golden age emcee having originated from a 90's crew led by Big L. Because on old-school sounding beats, his voice and flow shine, and he still has that Harlem swagger. His decision to focus on featuring only the newer Dipset members in this mixtape is welcoming to me, since they sound more serious and have the potential to have some form of depth which when added to the swagger might create sick emcees. Whatever it is, Cam might not be as big as loathsome Fiddy, but he is still more cult, has way more character, and is way more interesting.. to me, at least. Hehe.
..
Now..
I could just link the albums but I decided against that since we all don't have that much attention span. Especially the non hip hoppers. So to make it more attractive, I decided to make a mixtape consisting of songs I really really liked from those releases. With the tracks ordered the way I wanna. You can burn this mixtape to make an audio cd too.
Aight?
hqa's 5 FAVOURITE 2007 RELEASES MIXTAPE- public enemy - black is back
- public enemy - harder than you think
- public enemy - col-leepin
- cam'ron - no delaying
- ghostface killah - toney sigel a.k.a. the barrel brothers feat. beanie sigel
- dj deckstream - can you let me know feat. lupe fiasco, verbal and sarah green
- dj deckstream - keep in the pocket feat. talib kweli
- dj deckstream - 3.2.1. contact feat. surreal
- dj deckstream - touch of mink feat. camp lo
- cam'ron - i'm a hustler barry
- dj deckstream - play on feat. pep love
- public enemy - escapism
- ghostface killah - yolandas house feat. raekwon and method man
- ghostface killah - i'll die for you
- blu & exile - good life (show me) feat. joseph and aloe blacc
- blu & exile - blu colla workers
- blu & exile - party of two
- ghostface killah - killa lipstick feat. method man and masta killa
- ghostface killah - slow down feat. chrisette michele
- cam'ron - bad day feat. tom gist
- blu & exile - soul amazin (steel blazin)
- dj deckstream - five alarm feat. nikki jean
As you see there's a buncha Rogue bwois up in this - Schizzow, SSK, and Familyboy.
Exciting new artist for sho. In an era where it's extremely difficult for me to accept new blood these dudes seem to impress me, a lot. Exile is a dope producer. Really. There's been a lot of producers trying the nu-soul or soul-hop or whatever-you-call-it sound but not many have impressed me. But Exile managed to capture the early and Slum Village-era J Dilla spirit. Applying infectious basslines and clever cutting of samples. And with Blu rhymin' on his shit, it's hard to go wrong. While this duo is from the west coast, Blu might have more east coast emcees on his influences list flow-wise, even accent-wise at times. In this album most of his lyrics are very personal but won't alienate the listener, instead we might find ourselves relating our own experiences to most of his endeavours.
Yeh. Trust the old hip hop warriors to show us how to do things. This album is super banging. Chuck D is still as powerful as ever with his delivery, and Flava Flav hasn't aged. Their production team might've disintegrated at one point and are not the same old Bomb Squad, but there's still a lot of boom in them. While the old school hip hop fans will definitely appreciate this, I'm pretty sure it will get them new fans as well. After all, I haven't been the most fanatic Public Enemy fan, but somehow this record has sealed my faith. Only bummer is it is highly underrated especially since PE is independent and the last few recent releases weren't as enticing as this one.
This is Primo's pick for best album of 2007. Not so hard to understand why, Tony Starks continued his trademark of rapidfire spittage on banging beats. It might be more compact compared to the intricate Fishscale but it's still good. There were mixed reviews though, some compared it to Pretty Toney, assuming most people didn't like it, but I did like that one. Honestly there might be a few throwaway tracks but most of the tracks were just a simple combination of good beats and good emcees. I'm impressed by the fact that while a lot of golden age emcees lost their dynamic styles (cough*Raekwon*cough), Ghostface seems to add more passion and fire to his.
Trust the Japs to keep good and forgotten American pop cultures alive. The nu-jazz & nu-soul sound in hip hop has been quite a trend over there. Deckstream makes it evident that it won't be just a fad. One word to describe his samples - sweet, one word to describe his method of sampling - very sweet. While his beats might be really catchy he retains the booming sound of the hip hop beat so as to make it very hard hitting and lively. No need to question his choice of guest emcees - Lupe Fiasco, Talib Kweli, Camp Lo, Pep Love, Zion I.. need I continue?
Okay. This is highly personal. Hehe. While there's a lot of rubbish tracks mostly because of the plastic beats, there are a few gems. And these gems prove that while Cam'ron has been guilty of falling into the pop-rap stigma, he is still essentially a golden age emcee having originated from a 90's crew led by Big L. Because on old-school sounding beats, his voice and flow shine, and he still has that Harlem swagger. His decision to focus on featuring only the newer Dipset members in this mixtape is welcoming to me, since they sound more serious and have the potential to have some form of depth which when added to the swagger might create sick emcees. Whatever it is, Cam might not be as big as loathsome Fiddy, but he is still more cult, has way more character, and is way more interesting.. to me, at least. Hehe.
Blu from last year's Blu & Exile fame is involved in this one with another producer instead, Mainframe. It took me quite some time to get used to this album but once I did it's pretty dope. It has a different feel compared to Blu's last one.
The Resistance, former TRS forum, has now moved to http://theresistanceforum.com. It is now a more general forum, meaning not so TRS-y. So get on it fuhreel.
